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"[H]aunting and reminiscent of Max Porter’s Lanny and Carmen Maria Machado’s Her Body Other Parties... The Pump opens the door to a haunted world that is not easily forgettable."

Quill & Quire

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"Brooman simultaneously locates their stories within a tradition and explodes that tradition for future practitioners."

Toronto Star

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 "A strange and satisfying debut which, despite its nightmarish magic, manages to capture something terrifyingly real"

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